Friday, July 5, 2024

Learning that Nawazuddin Siddiqui was cast in Section 108, I was compelled’

Must read

Actress Yahhve Sharma, who will soon  star alongside Nawazuddin Siddiqui in the upcoming film Section 108, gets candid with The Pioneer discussing her character, insights on the concept of the film, and more.


From the gripping drama of Operation Mayfair to the deep melodies of Sajna with AB Rockstar, Yahhve Sharma’s presence emanates charisma and depth. Yahhve, who is not limited to a particular genre, recently captivated fans with the devotional song video Pawan Bhakti De De Ram, demonstrating her flexibility too. And now, she’s soon going to star alongside the renowned Nawazuddin Siddiqui in the upcoming film Section 108.
Well, the process of selecting roles is a deeply personal journey for actors, and its they who decide it by looking into various aspects such as character depth and script narrative. However, when she discovered the electrifying cast of the movie, she wasted no time in seeking out the director. She reveals, “When I first learnt that Nawazuddin Siddiqui was cast in the film, I immediately felt compelled to meet with the director and producer. I’ve always wanted to work with Nawazuddin Siddiqui, and when I read the script’s narrative, I was captivated by the slightly negative role.”
The movie’s title is enough to capture the audience’s attention, serving as the first point of contact between the audience and the film because. She explains, “The movie revolves around a pivotal law known as Section 108, which states that if someone goes missing for seven years, they are legally considered dead, prompting insurance payouts to their nominee. Arbaaz Khan vanishes, causing Nawazuddin to investigate. Being sent by the insurance company to check the case isn’t a trap, as many people use the law to make bogus claims.”
Her role, just like a coin with two sides, provides depth, allowing her to effectively traverse its difficulties, she continues. “In the film, I play a girl from a modest Jaipur family who travels to Mumbai, only to discover her monthly pay is insufficient for subsistence. My part is complex, portraying two opposing sides: the ordinary girl striving to make ends meet and the beautiful persona she adopts when money enters the scene, causing her to become embroiled in #MeToo charges.”
Transforming sensitivity into glam requires some training, and so, “I enrolled in acting classes with Ashish Pathode to hone my skills. He taught me to give dialogues with an uninterested demeanour, which is not a characteristic I possess in real life. I learned to manage my voice through dictation and breathing exercises, as well as how to effectively halt and continue lines. During my first class, I asked the director to speak with Ashish sir about my character. While I was naturally good at showing simplicity and fragility, we worked hard to capture the character’s stylish and attitude-laden side.”
The character’s backstory is important in understanding the film and its plot. She explains, “The film features a prequel that dives into the back story of my character, showing her beginnings and how she becomes engaged in the events shown. With no clear finish, the film purposely leaves the audience in suspense, ending with a question mark rather than a definitive resolution, tempting viewers to speculate what might happen next.”
She notes that experience working with filmmakers changes the whole character since collaboration with directors reveals the actual shade of personality. “Working with the director, was a fantastic experience. Prior to filming, I would approach him to discuss and clarify the scene, and he would painstakingly explain the complexities of both the situation and my role. Shooting began on February 5, but I was summoned to the set on February 1, where the director introduced me to the other actors and shared insights into the screenplay. He had a serious approach to his goal while making everyone feel comfortable and at peace throughout the process.”
“The performance and direction were commendable, and while our sets did not rival Sanjay Leela Bhansali’s, they were still grand in scale. The film is brilliantly shot, and viewers can expect lots of twists and turns to keep them wondering at all times, unable to predict what will happen next,” concludes the supporting actress.

- Advertisement -spot_img

More articles

- Advertisement -spot_img

Latest article