While classical and folk songs are still essential, the current generation leans towards contemporary styles, which has its advantages and challenges. It’s difficult to find contestants who can balance both old and new, but it’s crucial for their growth.
Tejal Sinha
SP Sailaja, a name synonymous with soul-stirring melodies and unparalleled versatility, has long been a fixture in the Indian music industry. With an impressive career spanning decades, she has captured the hearts of millions with her seamless ability to traverse diverse musical genres, from classical to contemporary. As a judge in the 16th edition of Sa Re Ga Ma Pa Telugu, she nurtured budding talent, imparting wisdom drawn from her extensive experience. Her profound understanding of music, coupled with her nurturing spirit, positions her as a guiding force for the future of the Indian music industry.
Excerpts from
the interview:
You have been an integral part of the Sa Re Ga Ma Pa journey for 16 seasons. How do you perceive your role in shaping not just the contestants’ journey, but also the legacy of the show?
SP Sailaja: It’s truly been a mutual experience for me. Over the years, I’ve learned a lot, and I see the quality of the show improving with each season. The enthusiasm of the contestants keeps growing, and it’s beautiful to witness their passion. Though the show is demanding, it’s a celebration of music, and it serves as a great platform for aspiring singers. Every season is a new chapter, full of emotions, drama, and, most importantly, music.
With contestants divided into Village Vocals, City Classics, and Metro Melodies, how do you approach assessing such diverse musical styles?
SP Sailaja: These categories are merely names. We don’t restrict the contestants to specific genres. Village contestants may sing fast songs, and city contestants may perform folk songs. Ultimately, the goal is to allow everyone to showcase their abilities across different styles. We judge their versatility based on their performance, regardless of the category.
Over the years, you’ve witnessed the evolution of Indian music. What differences do you see in the aspirations and preparations of today’s contestants compared to previous generations?
SP Sailaja: The potential of singers remains the same, but times have changed. In the past, classical songs were the way to display one’s talent. Today, there’s more flexibility; contestants often perform modern songs due to the changing trends in media. While classical and folk songs are still essential, the current generation leans towards contemporary styles, which has its advantages and challenges. It’s difficult to find contestants who can balance both old and new, but it’s crucial for their growth.
Music is rooted in tradition while embracing contemporary elements. How do you encourage contestants to honor their roots while pushing them to innovate?
SP Sailaja: I always tell contestants to practice all forms of music—classical, folk, semi-classical, and modern. You must be prepared for any challenge that comes your way, whether it’s a classical song or a new-age number. The stage is just the beginning, and they must keep learning and evolving. I emphasize that this is not the end of their journey; it’s a stepping stone to greater opportunities. I encourage them to keep working hard and to never give up.
As a judge, how do you ensure your feedback aligns with the contestants’ individuality and potential to succeed in the broader music industry?
SP Sailaja: We come from a time when platforms like this didn’t exist, so the opportunities today are remarkable. Contestants get exposure not just in films, but also through concerts and bands. I remind them to enjoy the process, as this stage is a great chance to showcase their talent. My advice is always to give their best and stay true to themselves. I believe that a positive attitude and hard work will take them far.
You’re known for your versatility as a singer. How do you handle providing constructive feedback that resonates with budding talent?
SP Sailaja: The early stages are challenging. The key is listening carefully and offering detailed feedback. I encourage contestants to pay attention to nuances in songs—expressions and emotions are vital. I often ask them to immerse themselves in the mood of the song to convey the right emotions. Versatility comes naturally when you understand the essence of the song and express it authentically.
In today’s digital era, where music is consumed globally, how do shows like Sa Re Ga Ma Pa prepare contestants for international stages?
SP Sailaja: Many contestants are now working with their own bands, producing albums, and getting opportunities at an international level. It’s an exciting time for the music industry. While global recognition takes hard work, shows like Sa Re Ga Ma Pa provide a platform for singers to hone their craft. With the right preparation and exposure, they are equipped to make an impact on the international stage.
Reality TV is often criticized for prioritizing drama over talent. How does Sa Re Ga Ma Pa stay focused on nurturing raw talent?
SP Sailaja: Initially, the show was purely about music, with little drama. Over time, the audience’s appetite for drama has grown, but we always try to keep the focus on the music. Of course, emotions are part of the journey, but drama shouldn’t overshadow the talent. The true aim is to celebrate the singers’ abilities while keeping the atmosphere enjoyable and positive.
Music competitions can be life-changing. Can you share a memorable moment from your own musical journey that influences how you guide and evaluate budding talent?
SP Sailaja: There have been many moments that stand out. One that comes to mind is a contestant from the USA who initially doubted his ability to fit in. But over the course of a few episodes, he gained confidence, and it was amazing to watch his transformation. Another memorable contestant, he was an introverted boy who struggled with personal issues. We encouraged him, and he gradually began to come out of his shell. It’s these kinds of moments that remind me how powerful music can be in shaping lives.
