Cast: Manoj Chandra, Monika T, Usha Bonela, Banerjee, Ravindra Vijay, Bongu Satti, Phani, Premsagar, and others
Music Directors: Mani Sharma, Varun Unni
Cinematographer: Petros Antoniadis
Producers: Gopalakrishna Paruchuri, Praveena Paruchuri
Director: Praveena Paruchuri
Release date: July 18, 2025
Rating: 2.5/5
Suresh Kavirayani
Praveena Paruchuri, known for producing low-budget, content-driven films like C/o Kancharapalem and Uma Maheswara Ugra Roopasya, makes her directorial debut with Kothapallilo Okappudu. She also produces the film, which is presented by Rana Daggubati. Featuring relatively new faces alongside seasoned actors like Banerjee and Ravindra Vijay, the film aims to strike a chord with rural storytelling. Here’s how it unfolds.
Plot:
Set in the late ’90s in the village of Kothapalli near Paderu, Andhra Pradesh, the story revolves around Appanna (Ravindra Vijay), a ruthless financier who punishes defaulters in his own cruel ways. Ramakrishna (Manoj Chandra), his cheerful assistant, is in love with Savitri (Monika T), the daughter of a wealthy landlord (Banerjee). Ramakrishna also runs a local recording dance troupe and convinces Savitri to perform as the lead dancer in a show. Initially hesitant, she agrees and asks Ramakrishna to meet her at a secluded spot—leading to an unexpected incident that drastically changes his life. The village elders deliver a harsh punishment. What happened during that meeting? What punishment was handed out? And what is the second mysterious incident that shakes the village? The answers lie in watching the film.
Analysis
Praveena Paruchuri attempts direction for the first time and does a neat job, though her inexperience becomes apparent. The plot is promising, and the performances are lively, lending authenticity to the film’s rural setting. The first half entertains with humor and engaging dialogues. However, the second half falters—especially after the twist. The tone remains light-hearted even during serious moments, causing a loss of emotional depth. Despite picking a fresh and interesting subject, her execution is only half successful. Had she focused more on handling the second half with maturity, the film could have left a stronger impact.
All the newcomers give commendable performances, though the emotional weight is missing in some scenes. A few moments feel forced, such as the inclusion of a special song and the extended practice scenes with Savitri and Aadhi Lakshmi. The Jathara episode, expected to be a highlight, ends up underwhelming. However, several scenes feel like they are happening in a real village, and the actors support this authenticity.
Performance:
Manoj Chandra is a surprise package. He delivers a natural, effortless performance that hints at a promising future. Usha Bonela as Aadhi Lakshmi is equally impressive, embodying her character with realism and confidence. Their scenes together are humorous and well-performed. Monika, as the second female lead, has limited screen time. Ravindra Vijay plays a strong role in the first half and leaves an impression despite being absent later. Banerjee, as always, brings gravitas to the role of the village elder. Prem Sagar and Praveena Paruchuri offer good support, while Babu Mohan makes a cameo appearance.
Technical Aspects
Senior music director Mani Sharma contributes to the songs, while Varun Unni handles the background score, which is passable. Petros Antoniadis’s cinematography beautifully captures the village atmosphere. The production values are solid, and the dialogues add an entertaining touch to the narrative.
Verdict
Kothapallilo Okappudu is a rural drama that entertains only in parts. Manoj Chandra and Usha Bonela shine with their natural performances, becoming clear highlights. Director Praveena Paruchuri shows sincerity and courage in her storytelling but falters in the second half. While she chooses a supernatural plot, she struggles to deliver it with clarity, leading to distractions through unnecessary characters like Babu Mohan and some forced scenes. That said, her honest intent is evident, and her effort deserves acknowledgment.
