Continuing from Season 1, police inspectors DG and Tambe, played by Ranvir Shorey and Girish Kulkarni, persist in their pursuit of Kapoor’s killer. The prime suspect, Sonu Singh who had flown off the scene is back to the Sunflower society.
For the uninitiated, Set in Mumbai, Sunflower unfolds the story of a murder within a middle-class housing society bearing the same name. Mumbai police detectives, Digendra (played by Ranvir Shorey) and Chetan Tambe (portrayed by Girish Kulkarni), launch an investigation that casts suspicion on nearly every resident. Amidst the intrigue, Sonu Singh (characterized by Sunil Grover), a seemingly uncomplicated individual residing in the society, finds himself entangled in the murder mystery, emerging as the primary suspect.
In the initial episode of the second season, there’s a noticeable attempt to reconnect viewers with the plot through the introduction of the Sunflower Society members. However, the lack of evolution in these characters over the past two years becomes glaring. Dilip Iyer, portrayed by Ashish Vidyarthi, persists as the unchanging embodiment of the neighborhood uncle—insistent on imposing his narrow worldview. His disapproval of women in revealing clothing and aversion to profanity, particularly from women, remain as outdated as ever.
This season introduces us to Rosie (played by Adah Sharma), a bar dancer and heir to Mr Kapoor’s penthouse. Right from word go, Rosie carries this charm and mystique about her. Rosie emanates an air of mystery and sharp intellect, her enigmatic presence veiling her true motives. Beyond her charming exterior lies a figure that embodies the fears of any man. Rosie gradually unveils her prowess in manipulation, deftly maneuvering through the lives of those around her under the guise of innocence. Whether dealing with authorities, Iyer, or Sonu, she establishes herself as a skilled manipulator, effortlessly outsmarting anyone who dares to cross her path.
This exhausting 8-episode series relentlessly tests your patience with a single-line plot dragged out to the point where you find yourself questioning the purpose.
Ranvir Shorey, portraying the detective, disappoints in an ill-conceived role. Sporting thick glasses, he radiates a restrained and unenthusiastic aura. Inspector Tambe, portrayed by Girish Kulkarni, exudes liveliness with a penchant for pursuing romantic interests. However, his character seems to lack depth, as he is often ready to demean others without contributing significantly to either the comic or serious aspects of the narrative.
Regrettably, Ashish Vidyarthi’s role appears confined to a singular dimension, offering him limited opportunities to showcase the diverse facets of his acting prowess. Mukul Chadda’s portrayal of the vengeful angel falls flat and proves irritating. The female cast members are confined to stereotypical roles.
Sunil Grover’s performance (played by Sonu) in the series, is all about rehashing his character from Kapil Sharma’s show with a lackluster and repetitive approach. The entire season and in fact both the seasons revolve around this man. His slapstick antics fell disappointingly flat. The execution of his scenes in particular lacked the usual finesse, with poorly timed pratfalls and predictable slapstick clichés. The audience, expecting uproarious laughter, instead witnessed awkward and forced moments that failed to elicit the usual comedic response. It became evident that the writing didn’t align with the charm that usually makes slapstick routines enjoyable, leaving viewers longing for the moments of laughter.
Touted to be a suspense-comedy, Sunflower unfortunately doesn’t quite hit the mark. In an age that values a refined sense of humor, it’s a bit perplexing to identify the comedic elements within the show. Moreover, the suspense seems elusive, prompting one to question the rationale behind its classification as a suspense-comedy.
In a nutshell, Sunflower Season 2 falls short of expectations, with characters that remain stagnant and a plot stretched to the point of tedium.
For the uninitiated, Set in Mumbai, Sunflower unfolds the story of a murder within a middle-class housing society bearing the same name. Mumbai police detectives, Digendra (played by Ranvir Shorey) and Chetan Tambe (portrayed by Girish Kulkarni), launch an investigation that casts suspicion on nearly every resident. Amidst the intrigue, Sonu Singh (characterized by Sunil Grover), a seemingly uncomplicated individual residing in the society, finds himself entangled in the murder mystery, emerging as the primary suspect.
In the initial episode of the second season, there’s a noticeable attempt to reconnect viewers with the plot through the introduction of the Sunflower Society members. However, the lack of evolution in these characters over the past two years becomes glaring. Dilip Iyer, portrayed by Ashish Vidyarthi, persists as the unchanging embodiment of the neighborhood uncle—insistent on imposing his narrow worldview. His disapproval of women in revealing clothing and aversion to profanity, particularly from women, remain as outdated as ever.
This season introduces us to Rosie (played by Adah Sharma), a bar dancer and heir to Mr Kapoor’s penthouse. Right from word go, Rosie carries this charm and mystique about her. Rosie emanates an air of mystery and sharp intellect, her enigmatic presence veiling her true motives. Beyond her charming exterior lies a figure that embodies the fears of any man. Rosie gradually unveils her prowess in manipulation, deftly maneuvering through the lives of those around her under the guise of innocence. Whether dealing with authorities, Iyer, or Sonu, she establishes herself as a skilled manipulator, effortlessly outsmarting anyone who dares to cross her path.
This exhausting 8-episode series relentlessly tests your patience with a single-line plot dragged out to the point where you find yourself questioning the purpose.
Ranvir Shorey, portraying the detective, disappoints in an ill-conceived role. Sporting thick glasses, he radiates a restrained and unenthusiastic aura. Inspector Tambe, portrayed by Girish Kulkarni, exudes liveliness with a penchant for pursuing romantic interests. However, his character seems to lack depth, as he is often ready to demean others without contributing significantly to either the comic or serious aspects of the narrative.
Regrettably, Ashish Vidyarthi’s role appears confined to a singular dimension, offering him limited opportunities to showcase the diverse facets of his acting prowess. Mukul Chadda’s portrayal of the vengeful angel falls flat and proves irritating. The female cast members are confined to stereotypical roles.
Sunil Grover’s performance (played by Sonu) in the series, is all about rehashing his character from Kapil Sharma’s show with a lackluster and repetitive approach. The entire season and in fact both the seasons revolve around this man. His slapstick antics fell disappointingly flat. The execution of his scenes in particular lacked the usual finesse, with poorly timed pratfalls and predictable slapstick clichés. The audience, expecting uproarious laughter, instead witnessed awkward and forced moments that failed to elicit the usual comedic response. It became evident that the writing didn’t align with the charm that usually makes slapstick routines enjoyable, leaving viewers longing for the moments of laughter.
Touted to be a suspense-comedy, Sunflower unfortunately doesn’t quite hit the mark. In an age that values a refined sense of humor, it’s a bit perplexing to identify the comedic elements within the show. Moreover, the suspense seems elusive, prompting one to question the rationale behind its classification as a suspense-comedy.
In a nutshell, Sunflower Season 2 falls short of expectations, with characters that remain stagnant and a plot stretched to the point of tedium.